2001

The theatre has turned itself inside out, but it is still theatre. And beautiful theatre too. An act of Victorian illusion, a fairground ride, a peep show, a piece of […]

Imagine a whole lifetime’s worth of exhilaration and confusion condensed into five minutes and you have some idea of what The Black Maze is like. It offers the same breathtaking […]

A paper given by James at The New Work Network’s conference The Chemistry Experiment Arnolfini, Bristol 10th February 2001Thank you for coming. We’re very pleased to see you all. You’re […]

Devising Workshops (November 2001)   It’s taken a long time coming but here is a companion page to the devising workshops I ran in association with Birmingham Rep. It is […]

It’s taken a long time coming but here is a companion page to the devising workshops I ran in association with The REP. It is designed to jog the memories […]

This is the framework of a professional development session for artists led by James for the New Work Network at Hoxton Hall, London 8th September 2001 And reprised with added […]

This is an article written by Charlotte Goodwin describing her experiences of running the education programme for Lurid and Insane (Autumn 2001) Writing Text for Performance is translated as Writing […]

Transcript of a paper given by to the New Work Network at Brunel University, Uxbridge 28 February, 2001 and rhen re-presented in an amended form at the University of Wales: […]

Comfort Hour was recorded one evening during rehearsals for Lurid and Insane. The show wasto be accompanied by a Radio Station – People’s Radio Freedom – and the station needed […]

WORK, LOVE, GROOVE The title is lifted from an obituary in The Independent,long before the show was concieved of. Jean-Bedel Bokassa crowned himself Emperor of the Central African Republic in […]

Stan’s Cafe was always envisaged as a vehical for producing exciting new art works in whatever art form (or blend of forms) seemed most appropriate; hence it has never called […]